A retired Beatles photographer unveils a collection of never-before-seen photographs from the peak years of the group's success

The Unseen Beatles

Biographies & Memoirs

Whitaker, Bob

HARRISON, Martin

Arts & Literature

Collins Pub San Francisco

The story of photographer, David Bailey, telling of his life and work from 1957 to 1969. Beginning with his early days in London's East End, it follows his progress through his first photographic experiences as an assistant to John French; his early years with "Vogue"; his close relationship with the stars of rock music - which resulted in images of bands like "The Beatles" and "The Rolling Stones" that form the iconography of the 1960s; and his friendships and love affairs with some of the period's beautiful women - among them models Jean Shrimpton and Penelope Tree and the actress Catherine Deneuve. The book brings together some of Bailey's most famous photographs, as well as images which seek to show an unknown side of the man, such as pictures of the East End.

David Bailey (The Great Photographers)

Arts & Photography

Individual Artists

HarperCollins, Publishers

Traces the history of fashion photography from the end of World War II to the 1980s

Appearances

Photography & Video

RANDOM HOUSE UK

Recounts the discovery and excavation of a sixth century Church

A Temple for Byzantium: The Discovery and Excavation of Anicia Juliana's Palace-Church in Istanbul

Harrison, Roy M.

Architecture

Univ of Texas Pr

Martin Harrison traveled widely in Asia Minor from his youth onward, and he was always fascinated by the questions of how and why the great and elegant cities of classical antiquity declined, and what happened to the descendants of the people who lived in them. Over nearly forty years he returned again and again to remote Lycia, where the ruins of monasteries and churches, villages, hamlets, and towns remained largely inaccessible and unexplored. His interest eventually led him to undertake the excavation of the Phrygian city of Amorium, whose importance became greater as the classical cities declined. At its peak it was considered second only to Byzantium, until it fell to the Arab invasions. The present study is the fruit of years of excavation and research by the author. The manuscript was largely sketched out when Martin Harrison unexpectedly passed away, and the volume has been finished and prepared for press by his long-time assistant Wendy Young, with further guidance from friends and colleagues with whom he had discussed the project. The resulting volume explores Martin Harrison's belief that the coastal cities of Lycia declined after the fifth century C.E., and that smaller settlements (monasteries, villages, and towns) appeared in the mountains and further inland. In addition he considered that there was a demographic shift of masons and sculptors from the cities to serve these new settlements. This beautifully illustrated study provides convincing evidence from architecture, sculpture, and inscriptional sources to support this theory. It also contains a description of Amorium in Phrygia, as revealed in survey and excavation seasons from 1987 until the author's untimely death half a dozen years later. The volume includes a preface by Stephen Hill and an appendix by Michael Ballance and Charlotte Roueché on three special inscriptions from Ovacik. The volume will be of interest to historians of the Near East and classical antiquity, to archaeologists, and to students of architectural history. Martin Harrison was Professor of Archaeology, University of Oxford. Wendy Young was Research Assistant to the author until his death.

Mountain and Plain: From the Lycian Coast to the Phrygian Plateau in the Late Roman and Early Byzantine Period

History

Americas

University of Michigan Press

The second half of the twentieth century has seen British artists, architects, and designers assuming a central role on the world stage. Starting in the years of reconstruction after the war, the young began to challenge accepted artistic values, looking at popular culture for their inspiration; the iconoclasm of the Pop movement has continued to be one of the most vital ingredients of the British art scene. In the year-by-year record that this book provides, the work of newcomers making their first impact is seen alongside that of outstanding artists in their maturity, with connections and contradictions across the entire visual scene--from architecture, interior design, furniture, and the decorative arts to painting, sculpture, and graphic art. Pictures and text explore the many factors that contributed to the special character of British art. The unique system of artists teaching in art schools, the worlds of fashion and pop music, political and social developments: the response of the best artists to these influences has always been original and questioning and has opened new avenues for future development. The book is organized by decade, and the achievements of each are highlighted by statements from a distinguished group of artists, designers, collectors, and critics who have themselves made a significant contribution to each decade. Encouragement, challenge, and opposition have all provided stimulus for creative talents that have been able to override the changes of taste and fashion. The book features the work of more than 250 artists, from Henry Moore, David Hockney, Francis Bacon, and Lucian Freud to James Stirling, Richard Rogers, Neville Brody, and Damien Hirst. The publication is also a celebration of the first fifty years of Thames and Hudson--founded by Walter Neurath in 1949--and the role that the publishing house has played in educating the public and supporting the arts during this period.

Vision: 50 Years of British Creativity, A Celebration of Art, Architecture and Design

Frayling, Christopher

Serota, Nicholas

Craig-Martin, Michael

HOCKNEY, DAVID

BRAGG, Melvyn

SYLVESTER, David

History & Criticism

Thames&Hudson

In 1949 Francis Bacon found his main subject, the human body, and from then on it remained his principal theme. But he did not paint from life. Instead, he took from images from the mass media - newspapers, magazines, books, photos - and drew on them for his paintings.
In 1949 Francis Bacon found his subject--the human body--and from then on it remained his principal theme. But he did not paint from life. Instead he appropriated images from the mass media that he manipulated into his "studies." This book presents over 200 of these documents, about which Bacon was secretive but which, it emerges, were integral to his creative process.
Culled from thousands of pieces of original material found in his studio, including newspapers, magazines, books, and photographs, these items have each been exhaustively and minutely researched, providing for the first time comprehensive details of the artist's sources. Previously unseen, these visually thrilling documents demonstrate Bacon's tactile, visceral relationship with his sources and his unerring eye for seeking out visual stimulation in the most unexpected places.
This unique selection of material from Bacon's sudio--meticulously documented and compellingly presented--will provide an invaluable insight into both the artist's work and his working methods.
Martin Harrison is the author of In Camera: Francis Bacon. over 100 color illustrations

Francis Bacon: Incunabula

Daniels, Rebecca

An exploration of the interplay between photography and painting in the work of Francis Bacon. Francis Bacon famously found inspiration in photographs, film stills, and mass-media imagery. This book draws on a broad range of source images and documents, many hitherto unknown, to reveal how these media informed some of Bacon's most important paintings and helped to trigger significant turning points in his stylistic development. Martin Harrison locates Bacon's work in a tradition of artists making use of mechanical reproductions, including Picasso and Walter Sickert. Harrison also reviews Bacon's painting in the context of key influences: film directors such as Sergei Eisenstein, photographers such as Eadweard Muybridge and John Deakin, and masters such as Velazquez, Poussin, and Rodin. In addition, Bacon's work is considered in the context of his contemporaries, including Lucian Freud, Mark Rothko, Graham Sutherland, and Patrick Heron. Analysis of elements of Bacon's biography and psychology leads to some startling and original insights into the man and the unique iconography of his art. With the aid of over 260 superb illustrations and the advantage of privileged access to unpublished material from the artist's archives, this is a book that addresses important questions about Bacon's practice and that, in reassessing key paintings, sheds new light on his life and work. 265 illustrations in color and duotone.

In Camera - Francis Bacon: Photography, Film and the Practice of Painting

"Strikingly produced and limpidly written."—Library Journal Francis Bacon famously found inspiration in photographs, film stills, and mass-media imagery. In Camera, a bravura accomplishment of original research, reveals how these new media informed some of Bacon's most important paintings and triggered turning points in his stylistic development. Martin Harrison, who was granted privileged and unparalleled access to unpublished material from the archives of the Bacon estate, provides a new under-standing of the thought processes and working methods of the creator of one of the most compelling bodies of work in twentieth-century art. Throughout the book, sharp analysis leads to startling insights into this complex, tortured, and hugely creative artist and into the unique iconography of his art. With the aid of over 270 superb illustrations (200 in color), including a broad range of source images and documents, the book addresses important questions about Bacon's practice and reassesses key paintings to shed new light on his life and work.

In Camera: Francis Bacon: Photography, Film and the Practice of Painting

A lavishly illustrated look at the sources behind the paintings of Francis Bacon. Francis Bacon famously found inspiration in photographs, film stills, and images from the media. In this new, updated edition of In Camera, Martin Harrison reveals how these sources informed some of Bacon’s most important paintings and triggered decisive turning points in the artist’s stylistic development. Key influences―including the masters Diego Velázquez, Nicolas Poussin, and Auguste Rodin; the photographer Eadweard Muybridge; and the film director Sergei Eisenstein―are given close consideration. Bacon’s work is examined in relation to the precedents set by other artists who made use of mechanical reproductions, including Pablo Picasso and Walter Sickert, and in the context of his contemporaries Lucian Freud, Mark Rothko, Graham Sutherland, and Patrick Heron. With over 270 color illustrations, including valuable source images and documents, In Camera is a bravura accomplishment of original research, addressing important questions about Bacon’s painting practice and shedding fresh light on his life and work. 275 illustrations

See the best price to sell, buy, or rent books by HARRISON, Martin. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by HARRISON, Martin

See the best price to sell, buy, or rent books by HARRISON, Martin. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Unseen Beatles

David Bailey (The Great Photographers)

Appearances

A Temple for Byzantium: The Discovery and Excavation of Anicia Juliana's Palace-Church in Istanbul

Mountain and Plain: From the Lycian Coast to the Phrygian Plateau in the Late Roman and Early Byzantine Period

Vision: 50 Years of British Creativity, A Celebration of Art, Architecture and Design

Francis Bacon: Incunabula

In Camera - Francis Bacon: Photography, Film and the Practice of Painting

In Camera: Francis Bacon: Photography, Film and the Practice of Painting

In Camera - Francis Bacon: Photography, Film and the Practice of Painting